Archive | New Releases

Campbell, Mattinson

We were sons, we were brothers. I didn’t know how to be either.’
This is a story about love. About the love that nine-year-old twins Jon and Eden Hardacre have for their mum, for the creek that they swim in, for each other – this is the love that they trust, that’s clear and pure as sunlight, as honey, as water.
But in the wake of a terrible accident, the boys have to grow up fast. They compete with each other to make the Olympic Games swimming squad, fall in love with the same girl, and begin to realise how complicated love can be and how it doesn’t always show itself in the ways that we expect.
Heart-hammeringly original, intense and deeply moving, We Were Not Men is a powerhouse of a novel about all the various faces that love shows us and how sometimes, distracted by life, ambition or attraction, we take it for granted until it’s too late – or almost too late. An unforgettable novel that pulses with grief, revelation, hope and love.

Clare Macintosh

A claustrophobic thriller set over twenty hours on one airplane flight, with the heart-stopping tension of The Last Flight and the wrenching emotional intensity of Room, Hostage takes us on board the inaugural nonstop flight from London to Sydney.
Mina is trying to focus on her job as a flight attendant, not the problems of her five-year-old daughter back home, or the fissures in her marriage. But the plane has barely taken off when Mina receives a chilling note from an anonymous passenger, someone intent on ensuring the plane never reaches its destination. Someone who needs Mina’s assistance and who knows exactly how to make her comply.
It’s twenty hours to landing. A lot can happen in twenty hours.

Laura Lippman

After being injured in a freak accident, novelist Gerry Andersen lies in a hospital bed in his glamorous but sterile apartment, isolated from the busy world he can see through his windows, utterly dependent on two women he barely knows: his young assistant and a night nurse whose competency he questions.
But Gerry is also beginning to question his own competency. As he moves in and out of dreamlike memories and seemingly random appearances of a persistent ex-girlfriend at his bedside, he fears he may be losing his grip on reality, much like his mother who recently passed away from dementia.
Most distressing, he believes he’s being plagued by strange telephone calls, in which a woman claiming to be the titular character of his hit novel Dream Girl swears she will be coming to see him soon. The character is completely fictitious, but no one has ever believed Gerry when he makes that claim. Is he the victim of a cruel prank—or is he actually losing his mind★ There is no record of the calls according to the log on his phone. Could there be someone he has wronged★ Is someone coming to do him harm as he lies helplessly in bed★
Then comes the morning he wakes up next to a dead body—and realizes his nightmare is just beginning…

Caroline Kepnes

Joe is done with the cities. He’s done with the muck and the posers, done with Love. Now, he’s saying hello to nature, to simple pleasures on a cozy island in the Pacific Northwest. For the first time in a long time, he can just breathe.
He gets a job at the local library—he does know a thing or two about books—and that’s where he meets her: Mary Kay DiMarco. Librarian. Joe won’t meddle; he will not obsess. He’ll win her the old-fashioned way: by providing a shoulder to cry on, a helping hand. Over time, they’ll both heal their wounds and begin their happily ever after in this sleepy town.
The trouble is, Mary Kay already has a life. She’s a mother. She’s a friend. She’s busy.
True love can only triumph if both people are willing to make room for the real thing. Joe cleared his decks. He’s ready. And hopefully, with his encouragement and undying support, Mary Kay will do the right thing and make room for him.

Stina Jackson

Early spring has its icy grip on Ödesmark, a small village in northernmost Sweden, abandoned by many of its inhabitants. But Liv Björnlund never left. She lives in a derelict house together with her teenage son, Simon, and her ageing father, Vidar. They make for a peculiar family, and Liv knows that they are cause for gossip among their few remaining neighbours.
Just why has Liv stayed by her domineering father’s side all these years? And is it true that Vidar is sitting on a small fortune? His questionable business decisions have made him many enemies over the years, and in Ödesmark everyone knows everyone, and no one ever forgets.
Now someone wants back what is rightfully theirs. And they will stop at nothing to get it, not matter who stands in their way…

Stacey Hall

West Yorkshire, 1904.
When newly graduated nurse Ruby May takes a position looking after the children of Charles and Lilian England, a wealthy couple from a powerful dynasty of mill owners, she hopes it will be the fresh start she needs. But as she adapts to life at the isolated Hardcastle House, it becomes clear there’s something not quite right about the beautiful, mysterious Mrs England. Ostracised by the servants and feeling increasingly uneasy, Ruby is forced to confront her own demons in order to prevent history from repeating itself. After all, there’s no such thing as the perfect family – and she should know.
Simmering with slow-burning menace, Mrs England is a portrait of an Edwardian marriage, weaving an enthralling story of men and women, power and control, courage, truth and the very darkest deception. Set against the atmospheric landscape of West Yorkshire, Stacey Halls’ third novel proves her one of the most exciting and compelling new storytellers of our times.

Briohny Doyle

What might drive a mother to do the unthinkable?
Before: Emma Cormac married into a perfect life but now she’s barely coping. Inside a brand new, palatial home, her three young children need more than she can give. Clem, a wilful four year old, is intent on mimicking her grandmother; the formidable matriarch Pat Cormac. Arthur is almost three and still won’t speak. At least baby Robbie is perfect. He’s the future of the family. So why can’t Emma hold him without wanting to scream?
Beyond their gleaming windows, a lake vista is evaporating. The birds have mostly disappeared, too. All over Shorehaven, the Cormac family buys up land to develop into cheap housing for people they openly scorn.
After: The summers have grown even fiercer and the Cormac name doesn’t mean what it used to. Arthur has taken it abroad, far from a family unable to understand him. Clem is a young artist who turns obsessively to the same dark subject. Pat doesn’t even know what legacy means now. Not since the ground started sinking beneath her.
Meanwhile, a nameless woman has been released from state care. She sticks to her twelve-step program, recites her affirmations, works one day at a time on a humble life devoid of ambition or redemption. How can she have an after when baby Robbie doesn’t?

Ellen Alpsten

St. Petersburg, 1725. Peter the Great lies dying in his magnificent Winter Palace. The weakness and treachery of his only son has driven his father to an appalling act of cruelty and left the empire without an heir. Russia risks falling into chaos. Into the void steps the woman who has been by his side for decades: his second wife, Catherine Alexeyevna, as ambitious, ruthless and passionate as Peter himself.
Born into devastating poverty, Catherine used her extraordinary beauty and shrewd intelligence to ingratiate herself with Peter’s powerful generals, finally seducing the Tsar himself. But even amongst the splendor and opulence of her new life—the lavish feasts, glittering jewels, and candle-lit hours in Peter’s bedchamber—she knows the peril of her position. Peter’s attentions are fickle and his rages powerful; his first wife is condemned to a prison cell, her lover impaled alive in Red Square. And now Catherine faces the ultimate test: can she keep the Tsar’s death a secret as she plays a lethal game to destroy her enemies and take the Crown for herself?
From the sensuous pleasures of a decadent aristocracy, to the incense-filled rites of the Orthodox Church and the terror of Peter’s torture chambers, the intoxicating and dangerous world of Imperial Russia is brought to vivid life. Tsarina is the story of one remarkable woman whose bid for power would transform the Russian Empire.”