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 Peter Swanson

Growing up, Kate Priddy was always a bit neurotic, experiencing momentary bouts of anxiety that exploded into full-blown panic attacks after an ex-boyfriend kidnapped her and nearly ended her life. When Corbin Dell, a distant cousin in Boston, suggests the two temporarily swap apartments, Kate, an art student in London, agrees, hoping that time away in a new place will help her overcome the recent wreckage of her life.

Soon after her arrival at Corbin’s grand apartment on Beacon Hill, Kate makes a shocking discovery: his next-door neighbor, a young woman named Audrey Marshall, has been murdered. When the police question her about Corbin, a shaken Kate has few answers, and many questions of her own—curiosity that intensifies when she meets Alan Cherney, a handsome, quiet tenant who lives across the courtyard, in the apartment facing Audrey’s. Alan saw Corbin surreptitiously come and go from Audrey’s place, yet he’s denied knowing her. Then, Kate runs into a tearful man claiming to be the dead woman’s old boyfriend, who insists Corbin did the deed the night that he left for London.

When she reaches out to her cousin, he proclaims his innocence and calms her nerves–until she comes across disturbing objects hidden in the apartment and accidentally learns that Corbin is not where he says he is. Could Corbin be a killer? What about Alan? Kate finds herself drawn to this appealing man who seems so sincere, yet she isn’t sure. Jet-lagged and emotionally unstable, her imagination full of dark images caused by the terror of her past, Kate can barely trust herself, so how could she take the chance on a stranger she’s just met?

 Elena Ferrante

A modern masterpiece from one of Italy’s most acclaimed authors, My Brilliant Friend is a rich, intense, and generous-hearted story about two friends, Elena and Lila. Ferrante’s inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship.

The story begins in the 1950s, in a poor but vibrant neighborhood on the outskirts of Naples. Growing up on these tough streets the two girls learn to rely on each other ahead of anyone or anything else. As they grow, as their paths repeatedly diverge and converge, Elena and Lila remain best friends whose respective destinies are reflected and refracted in the other. They are likewise the embodiments of a nation undergoing momentous change. Through the lives of these two women, Ferrante tells the story of a neighborhood, a city, and a country as it is transformed in ways that, in turn, also transform the relationship between her protagonists, the unforgettable Elena and Lila.

Ferrante is the author of three previous works of critically acclaimed fiction: The Days of Abandonment, Troubling Love, and The Lost Daughter. With this novel, the first in a trilogy, she proves herself to be one of Italy’s great storytellers. She has given her readers a masterfully plotted page-turner, abundant and generous in its narrative details and characterizations, that is also a stylish work of literary fiction destined to delight her many fans and win new readers to her fiction.

Paul Kalanithi

For readers of Atul Gawande, Andrew Solomon, and Anne Lamott, a profoundly moving, exquisitely observed memoir by a young neurosurgeon faced with a terminal cancer diagnosis who attempts to answer the question What makes a life worth living?

At the age of thirty-six, on the verge of completing a decade’s worth of training as a neurosurgeon, Paul Kalanithi was diagnosed with stage IV lung cancer. One day he was a doctor making a living treating the dying, and the next he was a patient struggling to live. Just like that, the future he and his wife had imagined evaporated. When Breath Becomes Air, which features a Foreword by Dr. Abraham Verghese and an Epilogue by Kalanithi’s wife, Lucy, chronicles Kalanithi’s transformation from a naïve medical student “possessed,” as he wrote, “by the question of what, given that all organisms die, makes a virtuous and meaningful life” into a young neurosurgeon at Stanford, guiding patients toward a deeper understanding of death and illness, and finally into a patient and a new father to a baby girl, confronting his own mortality.

What makes life worth living in the face of death? What do you do when the future, no longer a ladder toward your goals in life, flattens out into a perpetual present? What does it mean to have a child, to nurture a new life as another fades away? These are some of the questions Kalanithi wrestles with in this profoundly moving, exquisitely observed memoir.

Paul Kalanithi died in March 2015, while working on this book, yet his words live on as a guide and a gift to us all. “I began to realize that coming face to face with my own mortality, in a sense, had changed nothing and everything,” he wrote. “Seven words from Samuel Beckett began to repeat in my head: ‘I can’t go on. I’ll go on.’” When Breath Becomes Air is an unforgettable, life-affirming reflection on the challenge of facing mortality and on the relationship between doctor and patient, from a gifted writer who became both.

 Rebecca Huntley

At a time when politics seems increasingly negative and our society increasingly divided, Still Lucky shows that we are more fortunate than we think, and have more in common than we know.

Rebecca Huntley, one of Australia’s most experienced and knowledgeable social researchers, wants to break through all the noise and make you feel better about this country and the people around you. Our politicians are becoming more conservative, both in their policies and their ambitions for the country, but the Australian people – almost all of us – want to see real social change. We are more generous and more progressive, and more alike, than we think we are – and we are better than our day-today political discourse would suggest.

Huntley has spent years travelling the country, getting to know what’s in our hearts and minds. Here she tackles the biggest social questions facing Australia now: Why do we fear asylum seekers? Why are women still underpaid and overworked? Why do we over-parent? Why do we worry even though we are lucky?

Still Lucky is a broad-ranging, wise and compelling look at who we are now and where we are heading in the future, from someone who knows what Australians are really thinking.

Martin Sixsmith

From the author of the bestselling Philomena, made into the award-winning film starring Steve Coogan and Judi Dench, comes the story of a young woman, born in Pakistan, living in Britain, whose life is thrown into desperate turmoil by the violent death of her father. The Pakistani authorities talk of suicide, but why would Ayesha’s happy, gentle father kill himself?

Ayesha’s quest to find the truth takes her right away from her safe London existence. She meets with threats, intimidation and smiling perjurers who resent her intrusion into their world. She is warned that her life is in danger; powerful, ruthless men have reasons to want her silenced. But there are things she needs to know, that compel her to press on with her search for the truth.

Was her father an innocent victim? Can she continue to revere the image of him she grew up with, that of a good, loving parent? Or will she be forced to accept that her father was not the person she thought he was?

Ayesha decides that the only way forward is to fly to Pakistan and confront his killers. When she goes, Martin Sixsmith goes with her.The denouement of their journey together is extraordinarily moving, with unforeseen repercussions for them both.

Christine Dibley

On a clear summer’s day, Detective Inspector Tony Vincent answers a call-out to an idyllic Tasmanian beach house. Surrounded by family and calm waters, seventeen-year-old Zoe Kennett has inexplicably vanished.

Four storytellers share their version of what has led to this moment, weaving tales which span centuries and continents. But Tony needs facts, not fiction: how will such fables lead him to Zoe and to the truth?

As Tony’s investigation deepens, he is drawn into a world where myth and history blur, and where women who risk all for love must pay the price through every generation.

 Beatrice Colin

Set against the construction of the Eiffel Tower, this novel charts the relationship between a young Scottish widow and a French engineer who, despite constraints of class and wealth, fall in love.

In February 1887, Caitriona Wallace and Émile Nouguier meet in a hot air balloon, floating high above Paris, France–a moment of pure possibility. But back on firm ground, their vastly different social strata become clear. Cait is a widow who because of her precarious financial situation is forced to chaperone two wealthy Scottish charges. Émile is expected to take on the bourgeois stability of his family’s business and choose a suitable wife. As the Eiffel Tower rises, a marvel of steel and air and light, the subject of extreme controversy and a symbol of the future, Cait and Émile must decide what their love is worth.

Seamlessly weaving historical detail and vivid invention, Beatrice Colin evokes the revolutionary time in which Cait and Émile live–one of corsets and secret trysts, duels and Bohemian independence, strict tradition and Impressionist experimentation. To Capture What We Cannot Keep, stylish, provocative, and shimmering, raises probing questions about a woman’s place in that world, the overarching reach of class distinctions, and the sacrifices love requires of us all.

E.O. Chirovici

ONE MAN’S TRUTH IS ANOTHER MAN’S LIE.

When big-shot literary agent Peter Katz receives an unfinished manuscript entitled The Book of Mirrors, he is intrigued. The author, Richard Flynn is writing a memoir about his time at Princeton in the late 80s, documenting his relationship with the famous Professor Joseph Wieder.

One night in 1987, Wieder was brutally murdered in his home and the case was never solved.

Peter Katz is hell-bent on getting to the bottom of what happened that night twenty-five years ago and is convinced the full manuscript will reveal who committed the violent crime. But other people’s recollections are dangerous weapons to play with, and this might be one memory that is best kept buried.

Ben Sanders

Marshall Grade is back and deadlier than ever as enemies from his past converge to enact a bloody plan of vengeance.

Ex-undercover cop Marshall Grade is hiding out in New York City when he learns that federal agent Lucas Cohen has survived a kidnapping. Cohen was Marshall’s ticket into witness protection, and his captors have a simple question: where’s Marshall now?

Marshall’s undercover work gave him a long list of enemies, and the enemy in this case is a corrupt businessman named Dexter Vine. Vine’s almost broke, in debt to people even worse than himself, and he wants to settle old scores while he has time. He’s hired Ludo Coltrane—a nonchalant psychopath and part-time bar manager—to find Marshall at any cost. Ludo’s no stranger to killing, but his associate, the cash-strapped ex-con Perry Rhodes, may prove more of a liability than an asset.

The question is: what has Marshall done to make Dexter want him dead? And are the contacts from his old life—ex-colleague Lana, and the heroin dealer Henry Lee—prepared to help him, or will they just sell him out?

 John Simpson

In corners of the globe where fault-lines seethe into bloodshed and civil war, foreign correspondents have, for hundreds of years, been engaged in uncovering the latest news and – despite obstacles bureaucratic, political, violent – reporting it by whatever means available. It’s a working life that is difficult, exciting and undeniably glamorous.

We Chose to Speak of War and Strife brings us pivotal moments in our history – from the Crimean War to Vietnam; the siege of Sarajevo to the fall of Baghdad – through the eyes of those who risked life and limb to witness them first hand, and the astonishing tales of what it took to report them.

These stories celebrate an endangered tradition.

Where once despatches were trusted to the hands of a willing sea-captain, telegraph operator or stranger in an airport queue prepared to spirit a can of undeveloped film back to London, today the digital realm has transformed the relaying of the news – even if the work of gathering it in the field has changed little.

Weaving the tales of the greats of yesterday and today, such as Martha Gellhorn, Ernest Hemingway, Don McCullin and Marie Colvin, with extraordinary accounts from his own lifetime on the frontlines, this is a deeply personal book from a master of the profession, the most distinguished foreign correspondent of our time.