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Scott Blade
Foreign & Domestic: What does the Secret Service want with Jack Widow? A mistaken arrest puts Widow into the Miami criminal system. A mysterious phone call from the US Secret Service and Widow is on his way to D.C. to face a covert emergency.

The emergency: someone kidnapped the Secret Service Director’s daughter. Their demands: 1: Tell no one. 2: Assassinate the President.

Widow races against time to save an innocent girl and keep the President alive from enemies, both foreign and domestic. Patriot Lies: A dark lie. A darker truth. They killed a homeless veteran. They tried to cover it up. Jack Widow won’t let that stand.

Widow passes through DC. Hanging out, reading the morning paper. He learns about a homeless vet found burned alive on a park bench. The Vet has no known family. No one’s expected to attend his wake. Widow must go.

He meets a lawyer who claims there’s a sizable inheritance at the service: a stock portfolio worth fifty million dollars. What’s a homeless vet doing with that amount of secret money? Widow follows a trail of murder and treason that leads him to a terrifying conspiracy.

The Double Man: A face he recognizes. Is it a wanted murderer? Or is Jack Widow seeing double?

Tired of people, Jack Widow takes a break. He camps out in the Alaskan wilderness on Kodiak Island, relying on nothing but his survival skills. It’s everything he wanted: quiet terrain, plenty of fishing, sleeping out under the stars, and no people. It seemed like the perfect vacation until Widow meets a man with a familiar face.

He recognizes a total stranger, but from where? The stranger goes by one name but has the face of another.

Kate Russo
A deeply funny and shrewdly observed debut novel about being lost in the very place you know by heart. Bennett Driscoll is a Turner Prize-nominated artist who was once a rising star. Now, at age fifty-five, his wife has left him, he hasn’t sold a painting in two years, and his gallery wants to stop selling his work, claiming they’ll have more value retrospectively…when he’s dead.

So, left with a large West London home and no income, he’s forced to move into his artist’s studio in the back garden and list his house on the popular vacation rental site, AirBed.

A stranger now in his own home, with his daughter, Mia, off at art school, and any new relationships fizzling out at best, Bennett struggles to find purpose in his day-to-day. That all changes when three different guests–lonely American Alicia; tortured artist Emma; and cautiously optimistic divorcée Kirstie–unwittingly unlock the pieces of himself that have been lost to him for too long.

Nora Roberts
Harry Booth started stealing at nine to keep a roof over his ailing mother’s head, slipping into luxurious, empty homes at night to find items he could trade for precious cash. When his mother finally succumbed to cancer, he left Chicago—but kept up his nightwork.

Wandering from the Outer Banks to Savannah to New Orleans, he dons new identities and stays careful, observant, distant. He can’t afford to attract attention—or get attached. Still, he can’t help letting his guard down when he meets Miranda Emerson. But the powerful bond between them cannot last—because not all thieves follow Harry’s code of honor. Some pay others to take risks so they can hoard more treasures. Some are driven by a desire to own people the way they own paintings and jewels. And after Harry takes a lucrative job commissioned by Carter LaPorte, LaPorte sees a tool he can use, and decides he wants to own Harry.

The man is a predator more frightening than the alligators that haunt the bayou—and when he strongarms Harry into robbing a Baltimore museum, Harry abandons Miranda—cruelly, with no explanation—and disappears. But no matter what name he uses or where he goes, LaPorte casts a shadow over Harry’s life. To truly free himself, he must face down his enemy once and for all. Only then can he hope to possess something more valuable than anything he has ever stolen…

Lynda la Plante
Prime Suspect, the enormously successful two-time Emmy Award-winning television series, established its writer and creator, Lynda La Plante, as one of the preeminent originators of realistic crime drama. Turning her talent from the screen to the page, La Plante has crafted an intelligent, hard-hitting thriller featuring a female lead every bit as compelling and complex as her Prime Suspect heroine played by Helen Mirren.

Lorraine is a three-time loser: an ex-LAPD cop, ex-hooker, ex-wife, even an ex-mom, since she has lost custody of her kids. She is recovering from the alcoholism that nearly destroyed her life and, through tremendous force of will, has managed to pull herself back together and set up her own private detective agency in Los Angeles, but she finds that there is scant demand for her services.

Finally she lands the high-profile case that could activate her new career. The eighteen-year-old daughter of a fading movie starlet has disappeared during Mardi Gras, and her parents offer Lorraine $1 million if she finds the girl, dead or alive. As the search for the missing girl becomes a deadly murder hunt involving Hollywood rich kids and New Orleans lowlife, Lorraine is caught in a web of deceit and violence that threatens to drag her back into the murky world she has fought so hard to escape. When she finds herself strongly attracted to Robert Caley, the girl’s father– who, in turn, is sexually drawn to her–she knows she faces a new kind of danger. She begins to spin out of control and turns to her old friend booze for solace.The game gets more dangerous as Lorraine fights demons within and without, but the million-dollar bonus is a powerful incentive not to back off a case that would give her the professional respect she craves but could also kill her. Cold Blood reverberates with realism; its plot is multilayered, its characters vibrantly alive–just what one would expect from Lynda La Plante, a consummate chronicler of the criminal world.

John Grisham
“Homecoming” takes us back to Ford County, the fictional setting of many of John Grisham’s unforgettable stories. Jake Brigance is back, but he’s not in the courtroom. He’s called upon to help an old friend, Mack Stafford, a former lawyer in Clanton, who three years earlier became a local legend when he stole money from his clients, divorced his wife, filed for bankruptcy, and left his family in the middle of the night, never to be heard from again—until now.

Now Mack is back, and he’s leaning on his old pals, Jake and Harry Rex, to help him return. His homecoming does not go as planned. In “Strawberry Moon,” we meet Cody Wallace, a young death row inmate only three hours away from execution. His lawyers can’t save him, the courts slam the door, and the governor says no to a last-minute request for clemency. As the clock winds down, Cody has one final request.

The “Sparring Partners” are the Malloy brothers, Kirk and Rusty, two successful young lawyers who inherited a once prosperous firm when its founder, their father, was sent to prison. Kirk and Rusty loathe each other, and speak to each other only when necessary. As the firm disintegrates, the resulting fiasco falls into the lap of Diantha Bradshaw, the only person the partners trust. Can she save the Malloys, or does she take a stand for the first time in her career and try to save herself?

By turns suspenseful, hilarious, powerful, and moving, these are three of the greatest stories John Grisham has ever told.

(Terminal List #5)

Jack Carr
A woman boards a plane in the African country of Burkina Faso having just completed a targeted assassination for the state of Israel. Two minutes later, her plane is blown out of the sky.

Over 6,000 miles away, former Navy SEAL James Reece watches the names and pictures of the victims on cable news. One face triggers a distant memory of a Mossad operative attached to the CIA years earlier in Iraq—a woman with ties to the intelligence services of two nations…a woman Reece thought he would never see again.

Reece enlists friends new and old across the globe to track down her killer, unaware that he may be walking into a deadly trap.

(Jack Widow #17)

Scott Blade
They want her dead.
But there’s a problem.
Jack Widow stands in the way.

Widow walks the side of the road at night when a pair of headlights is headed his way. It’s the first car in hours. With a thumb out, he hopes to get a ride. But when the car drives erratic at high speeds, Widow dodges nearly being rammed to death. The driver barrels the car into a tree. It turns out the driver had a heart attack. Waiting for help to arrive, the driver enlists Widow’s help. The driver is a US Marshal. He was on his way to stop an attack on one of his witnesses. She’s been in the witness relocation program, hiding, living a new life. Now, they know who she is. They want her dead. Her only hope is her new protector–Widow.

Lucinda Riley
The Murders at Fleat House is a suspenseful and utterly compelling crime novel from the multi-million copy global bestseller, Lucinda Riley. The sudden death of a pupil in Fleat House at St Stephen’s – a small private boarding school in deepest Norfolk – is a shocking event that the headmaster is very keen to call a tragic accident.

But the local police cannot rule out foul play and the case prompts the return of high-flying Detective Inspector Jazmine ‘Jazz’ Hunter to the force. Jazz has her own private reasons for stepping away from her police career in London, but reluctantly agrees to front the investigation as a favour to her old boss.

Reunited with her loyal sergeant Alastair Miles, she enters the closed world of the school, and as Jazz begins to probe the circumstances surrounding Charlie Cavendish’s tragic death, events are soon to take another troubling turn.

Charlie is exposed as an arrogant bully, and those around him had both motive and opportunity to switch the drugs he took daily to control his epilepsy.

As staff at the school close ranks, the disappearance of young pupil Rory Millar and the death of an elderly Classics master provide Jazz with important leads, but are destined to complicate the investigation further. As snow covers the landscape and another suspect goes missing, Jazz must also confront her personal demons . . .

Then, a particularly grim discovery at the school makes this the most challenging murder investigation of her career. Because Fleat House hides secrets darker than even Jazz could ever have imagined . . .

Tara Moss
A thrilling tale of courage and secrets set in postwar London and Paris, in which a search for a missing husband puts investigator and former war reporter Billie Walker on a collision course with an underground network of Nazi criminals.

It’s 1947. The world continues to grapple with the fallout of the Second World War, and former war reporter Billie Walker is finding her feet as an investigator. When a wealthy client hires Billie and her assistant Sam to track down her missing husband, the trail leads Billie back to London and Paris, where Billie’s own painful memories also lurk. Jack Rake, Billie’s wartime lover and, briefly, husband, is just one of the millions of people who went missing in Europe during the war. What was his fate after they left Paris together?

As Billie’s search for her client’s husband takes her to both the swanky bars at Paris’s famous Ritz hotel and to the dank basements of the infamous Paris morgue, she’ll need to keep her gun at the ready, because something even more terrible than a few painful memories might be following her around the city of lights . . .

Stuart MacBride
It’s been seventeen months since the Bloodsmith butchered his first victim and Operation Maypole is still no nearer to catching him. The media is whipping up a storm, the top brass are demanding results, but the investigation is sinking fast.

Now isn’t the time to get distracted with other cases, but Detective Sergeant Lucy McVeigh doesn’t have much choice. When Benedict Strachan was just eleven, he hunted down and killed a homeless man. No one’s ever figured out why Benedict did it, but now, after sixteen years, he’s back on the streets again – battered, frightened, convinced a shadowy ‘They’ are out to get him, and begging Lucy for help.

It sounds like paranoia, but what if he’s right? What if he really is caught up in something bigger and darker than Lucy’s ever dealt with before? What if the Bloodsmith isn’t the only monster out there? And what’s going to happen when Lucy goes after them?